about

Comprised of mostly mass-produced objects, these works are gently manipulated so as to evade their original purpose yet exalt them into dialogues with the canons of Romanticism, Minimalism and Conceptualism. Their physical bodies are further transfigured by their titles which bespeak fragility and temporality. As ruminations on melancholia and loss, they collapse the future and past, simultaneously recording and resisting the act of slipping away.